Review of AG Slatter’s “Briar Book of the Dead”

It’s always a pleasure to dip into AG Slatter’s Sourdough stories, and this latest offering is an absolute gem. Ellie is from a long line of witches, and is supposedly without magic. Soon she is plunged into a role that requires both magic and wits. Will wits be enough? Or will she master secret newly-discovered skills in time to prevent an evil that threatens not only her loved ones and herself, but her entire village and beyond. There is so much to love about this novel, and for this reader, the characterisation turned out to be as stunning as the trials and tribulations Ellie must face. I found myself easily immersed in this imagined world that was equal parts intriguing, wonderful and surprising. Highly recommended for anyone who loves intelligent fantasy fiction outside of the generic mould. And if they haven’t read any of Slatter’s previous fiction, it will definitely have them seeking out more.

Cover Blurb:

“Set in the same universe as the acclaimed All the Murmuring Bones and The Path of Thorns (one of Oprah Daily’s Top 25 Fantasy Novels of 2022), this beautifully told Gothic fairy tale of ghosts, witches, deadly secrets and past sins, will be perfect for fans of Hannah Whitten and Ava Reid.

Ellie Briar is the first non-witch to be born into her family for generations. The Briar family of witches run the town of Silverton, caring for its inhabitants with their skills and magic. In the usual scheme of things, they would be burnt for their sorcery, but the church has given them dispensation in return for their protection of the borders of the Darklands, where the much-feared Leech Lords hold sway.

Ellie is being trained as a steward, administering for the town, and warding off the insistent interest of the church. When her grandmother dies suddenly, Ellie’s cousin Audra rises to the position of Briar Witch, propelling Ellie into her new role. As she navigates fresh challenges, an unexpected new ability to see and speak to the dead leads her to uncover sinister family secrets, stories of burnings, lost grimoires and evil spells. Reeling from one revelation to the next, she seeks answers from the long dead and is forced to decide who to trust, as a devastating plot threatens to destroy everything the Briar witches have sacrificed so much to build.

Told in the award-winning author’s trademark gorgeous, addictive prose, this is an intricately woven tale of a family of witches struggling against the bonds of past sins and persecution.

Details and purchasing options at Titan Books and also:

Book Review: Bourbon Penn #25

This was my introduction to the Bourbon Penn anthologies and I’m now asking myself: how has it taken me so long to discover them? At 150 pages, Issue #25 is pleasingly weird and quirky, exactly as its cover image promises.

My favourite story was Anthony Panegyres’ “Anthropopages Anonymous (AA)”, which totally nails the thoughts and actions of upwardly evolved bears. The humour is subtle and dark, while the bears’ way of thinking is a dangerous mix of animal and human.

I was particularly drawn to the mystery of Louis Evans’ “Lazaret” with its strange Twilight Zone-esque vibes; and also to the precarious balance of tragedy and creepiness in Simon Stanzas’ “That House”.

E Catherine Tobler’s “The Truth Each Carried” allows the reader to discover more than one secret through the eyes of a perceptive and gifted older woman. Her horses are wonderful!

Allie Kiri Mendelsohn’s “Mosaic” is a tale of magic told from the point of view of a very young adult. Mendelsohn’s use of language does much to enhance the characterisation and setting.

Gregory Norman Bossert’s “Appearing Nightly” is an atmospheric vignette about a magician whose performances are at once perplexing and elusive.

I finished this antho in less than a day. All six stories left me thinking about them afterwards.

Bourbon Penn #25 edited by Erik Secker is available online at Amazon, Book Depository and Bourbon Penn Website