Internal Inconsistency, Layering and Situational Irony

Blogging The Editing Day #5

In the end, Chapter Four needed more de-clunking than anticipated. Being an early chapter, I also had to make sure the fantastical elements had been set up well enough for the current happenings to make sense.

The next step had me wondering if my changes had created internal inconsistencies. I had the big picture sorted, but what about the little ones? For example, did rearranging the order of those paragraphs lead to a character stubbing out her cigar before she lit it? Did my hero’s strange behaviour still make sense, or had I unwittingly deleted her motivations?

All seemed fine, until it occurred to me that while I’d been focussing on plot, character and world-building, I’d neglected a perfect opportunity to ramp up the scene’s emotion with a touch of situational irony. Not only would it look cool, but it would also help the reader feel my hero’s outrage and disappointment.

Fortunately, it didn’t take much to fit it in. It was as if my subconscious had set it up from the start, but the part of me that’s supposed to be awake took a few months longer to figure it out.

This is something that happens a lot when I’m editing. There are so many things that need to be fixed: character, plot, sub-plots, dialogue, setting, world-building. Unless you’ve been writing for many years, it’s not going to happen in one go. An important touch such as irony can sneak up on you like an afterthought.

In contrast, when reading a well-written book, it feels as if those elements were sorted from the start. Now I wonder how many had been added over time, in much the same way as layers are added to a painting.

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