THE ETERNAL MACHINE: Chapter One

Here’s a sneak preview of my upcoming novel’s first chapter. I’ll post some more chapters later in the week. Hope you enjoy…

Em

Common magic (skin magic) is absorbed by the skin directly from the atmosphere. On its own, it forms a weak echo of heart magic, producing light and a sense of wellbeing. Collectively, it will provide sufficient power to advance our industrial revolution.

~ SIR AMBRUS GRINDLE, PRODUCTIVITY & INDUSTRY

The line of workers stretched all the way from Rhodens Lane to the powerhouse. Here amongst the factories, there was no sunlight to warm people’s faces and little hope of bringing it back. Those who made it past the door now filtered into a basement crammed with chairs.


“I’m regretting this already,” Em muttered, shuffling along a row within sight of the exit. She contemplated retracing her steps, but too many people blocked her escape.


“Your first time, eh?” asked an old woman seated at the row’s end.


Em paused at the chair next to her, frowned at its wooden seat and splintery backrest.


“First time’s always the worst.” The old woman chuckled. Her breath smelled of gin, and her patchwork coat cut a bright contrast against her faded hair. “Don’t fret, my dear.” The woman chuckled again. “Your magic’ll be pulled out of you in no time and then you’ll get paid and forget all about bein’ scared. As sure as my name’s Rosie J, I’ll see you next week when you’re hankerin’ for more.

”
Em let out a deep, shaky breath and sat. She looked to Lucien as he sank into the chair on her other side, the pewter charms in his shoulder length hair jingling.


“So this is it,” he said, voice laced with contempt. “The worker’s gold mine?” He grimaced at the gas lamps hanging by chains from the rafters. “They look like eyes. Of automatons. Crouched and ready to chew everyone up.”


“Lucien, please,” Em said. “You didn’t have to come.”


“Yes, yes, I know. But you’re not facing this alone. Besides…” He gave a hint of a smile. “Double our coins, double our savings.”


Em swallowed, mouth dry. She wished she’d not told Lucien of her plans to spend the evening under extraction. Endangering herself was one thing. Endangering the man she loved was unforgivable.


“You two had better get your boots off,” Rosie said. “Here comes the attendant.”


Em did as asked, then rolled up her leggings. As she straightened, she noticed a previous occupant had carved the words ‘Fate Damns’ into one of the armrests. She wondered if she could get away with adding something equally subversive, such as ‘Fate Exploits’, when a lad with tobacco-stained fingers prodded her forearm. “Get a move on, missy. If you’ve changed your mind, you know where the door is.”


Em froze, part panicked and part unsure what she was supposed to do.


“Roll up your sleeves unless you want the mages to come over and make a display of you.” The attendant pointed his chin at two men reclining in armchairs up the front. Their hands were white-gloved and gentlemanly, rumoured to be charged with enough magic to knock a room full of workers senseless.


The attendant wound the electrodes around Em’s wrists and ankles. He fastened straps around her forehead, pinning her head to the back of the chair. “Quicker than lacing a corset, eh?” He patted her knee. “But not as titillating.”


Lucien grunted. “Keep your hands on the job, lackey boy, or you’ll go blind.”


Old Rosie cackled. “Couldn’t have said it better m’self.”


“Mind your manners.” The lad turned his sneer to Lucien. “An’ as for you: them foreigner words aren’t welcome here.

”
Em couldn’t move her head to see Lucien, but knew he would be fuming. Foreigner indeed! He may not talk like a local, but he knew the city well enough to belong. Biting her tongue, she fixed her gaze on the two mages, hating them for docking everyone’s pay merely to force them here.


She counted to thirty, willed herself to relax. All too soon an attendant announced the final seat had filled. Other attendants took their places in the aisles.


The hall quietened.


Someone hummed a dirge.


“Get it over with,” Rosie grumbled. “If you take all day, I’ll be wettin’ me knickers.

”
Nervous laughter rippled from chair to chair. Em’s electrodes grew cold. In a gut-churning rush, her skin magic surged through them, paralysing her limbs from wrists to shoulders, ankles to hips. The ceiling vibrated. Dust and the occasional cobweb drifted onto heads, faces, shoulders and toes. In the factory above, machines rumbled and whined as they devoured the skin magic of two hundred workers.


Minutes stretched into an hour. A dull cramp spread up Em’s backbone, through her shoulders. Every little whimper, cough or sigh from those around her echoed. Even Old Rosie’s barely audible groan.


There came the sound of water trickling, and the stench of freshly voided pee. At first, Em felt sorry for the poor woman. Then she imagined a puddle spreading between the chairs and reaching her feet. Pee contained salt. Salt conducted magic. Uncontrolled magic sparked.


“Lucien,” she whispered.


“What?”


“There’s—”


“Silence,” an attendant growled.


“It’s Rosie,” Em said aloud. “I think she—”


“Silence!”


Em gritted her teeth, closed her eyes, breathed deep and slow. She longed to stretch her muscles, wriggle her toes, flex her fingers. Afternoon stretched into evening. Her discomforts became aches, and her aches pushed her into a sullen, unthinking trance.


At last, the electrodes warmed. Her arms and legs thawed. Not wanting to be pawed again, she wriggled herself free.


“Don’t you be breaking anything, missy,” said the attendant, “or the mages’ll be billing you.

”
Ignoring him, she turned to Rosie. The crone should have unstrapped by now. If she were anything like Papa, she’d be keen for a post-extraction tipple.


“Rosie?”


Nothing.


For a single choked breath, Em tried to convince herself the old woman had fallen asleep, that the puddle beneath her chair meant she’d started the day with too much gin. But Rosie’s blank, staring eyes told a terrible truth.


“You drained her!” Em spat at the attendant. “You should have been watching. You knew her magic was weak so you took every last drop.”


“She was old. Gonna die anyway,” the attendant said.
Em’s voice rose.

“How dare you say that!”


“Hush!” Lucien took her arm. “There’s a mage watching.”


Em pulled away.

“This is their plan, isn’t it? Kill the elderly, cull the weak.”


“Not now.” Lucien drew her against him, held her tight. He was shaking as much as she, his face clammy. “As I recall, I tried to convince you to give this a miss.”


She ducked aside, pulled on her socks and boots, hurried to the end of the row, legs quivering. She wanted to curse and cry and rage all at once. She wanted to grab the attendant’s weedy shoulders and shake him until he saw sense.


Up at the front, the two mages remained seated, bored and complacent.


“They’re murderers,” Em said, no longer caring who heard.


“Hush.” Lucien steered her to the exit. “Don’t give them an excuse to punish you.”

#

On the street outside, a night bird shrieked, irate in the slash of night between buildings. Never in her life had Em felt so tired. It was as if the electrodes had taken not only her magic but a piece of herself. As she dodged potholes, wheel ruts and other workers, she wondered if her legs would make it home. Even the shiny new coins in her pocket felt tainted. Probably cursed.


The air shuddered with the clunk-clunking of conveyor belts snaking down from windows six storeys above. Human-shaped automatons stood as tall as lamp posts, inspecting boxes being dropped into lorries. Smoke hissed and plumed from their neck vents, staining the mist dark.


“Nothing like a breath of sooty air to get the muscles pumping,” Lucien said dryly.


As he passed beneath a streetlight, his eyes looked sunken, deprived of sleep.


“I’m sorry,” Em said. “I had no idea it would be that bad. But how else are we going to save up for—”


A mage in white breeches and swallowtail jacket veered past them, his fingers sending ribbons of light onto the path ahead. Lucien poked his thumb towards the mage’s retreating back. “Look at him, flaunting his magic. Smells like a powerhouse owner. I’d like to see how long he’d last in electrodes.

”
Footsteps of passers-by clattered on the cobbles. “My love,” Lucien began, “there’s something—”


“Em, Lucien, wait!” The voice belonged to a woman, calling out from behind them.


Em turned her head to see an acquaintance, Solly Flood, running to catch up.


“How are you keeping?” Solly asked, falling into step beside Em. “After I quit the workshop, I hadn’t meant to lose touch. Are you and Lucien still there? At Grindle’s?”


In no mood to chat, Em let Solly’s words hang between them.


“I was just passing the powerhouse when I happened to notice you leaving,” Solly said.

“You didn’t submit?”


“Tried it once. Never again. Besides, what do we get but a handful of copper? Meanwhile our magic earns mages truck-loads of gold.” She looked behind, checked both sides, lowered her voice. “What else can we do except fight them?”

Em glanced at Lucien who was now staring pointedly ahead, clearly as eager to get home as she was.

“Fight mages?” he asked. “Who’d stand a chance against them?


Solly continued on in silence. When they rounded a corner, she said, “Mages are a minority. If we workers rise up, we’d have a chance.”


Lucien sneered. “Workers untrained in magic? Facing mages who have it all?”


“Supposing mages don’t have it all,” Solly said. “Supposing some workers have the potential to be trained?”


“Trained for what? Prison?” Lucien paused, considering something.


“What is it?” Em asked, almost tripping over her own feet.


He nodded towards Solly. “You must excuse me. I have business.” He met Em’s gaze and gave a tight, twisted smile. “Sorry, I’ll explain later.”


“Lucien?” Em stared open-mouthed as his lean silhouette merged into the darkness of an alley. She huddled into her coat, thought about setting out after him but did not relish a chase through the streets at this late hour. Instead, she continued towards home, intending to pick up her pace but couldn’t find the strength.


“Remember three summers ago?” Solly asked. “That time we all went down to the park to dance? Before the powerhouses? Back when everyone had skin magic enough to light their way? I remember how you lit yourself up all over. You were the brightest one there.”


“Listen,” Em interrupted, “tonight I heard a woman die. I just want to go home.”


Solly mumbled a curse. “That’s the second I’ve heard of this week. We have to fight. It has to be stopped.”


Em shrugged. Solly was right, but talk was cheap and actions amounted to nothing.


Āiyā,” Solly hissed, impatiently. “No one should be treated like we are. There are ways to avoid the powerhouses.”


Given that those who refused to submit had little chance of making a decent living, Solly did look surprisingly well. Although her hand-made coat hung as shapeless as a horse blanket, the set of her shoulders and the russet shine in her bobbed hair suggested a robust constitution.


An old man approaching them stumbled. Solly steadied him.


“How am I supposed to see where I’m going without skin magic?” he growled.


“Fate protect you,” Solly said.


“Fate send you home safe.” 


As the man continued on, Solly looked to Em. “One day, that will be all of us. First, they’ll steal our skin magic, then later our very last breath. Damn mages. May their greed be the death of them.”


Em raised her eyebrows but said nothing. The air thrummed with the sound of ever-churning foundries upriver. A whiff of burned lard swirled in coal smoke from the tenements and factories not yet fuelled by a powerhouse.

“I know your magic is strong,” Solly said, her voice low. “Way too strong than is lawful for a commoner.”


Em kept walking, refusing to react despite how her stomach tensed.


“Think back to that festival,” Solly persisted in a voice so low that Em could barely hear. “The way you danced. So much light. Suddenly you ran to your father. Your fingers sparked.”


The back of Em’s neck prickled. “No. That wasn’t me.”


“You were lucky no one else saw.”


“It wasn’t me.”


“The truth is,” Solly added, “there are more like us than you realise. One in fifty can channel enough magic to spark. One in a hundred can light a taper. One in a thousand have enough to fight.”


Em blinked. Us?


“I must confess,” Solly continued. “You wouldn’t see me in a powerhouse if my life depended on it. Even so, I pass this way every week looking for people like you. It’s only a matter of time before your magic gets too strong. If you can’t hold it in, chances are you’ll do more than just spark. If you’re lucky enough to escape scalding yourself, one day the wrong person will see.

”
Solly’s prying gave Em strength enough to lift her pace, determined to not show anything beyond detached endurance. As far as she knew, no one in her family had ever had that kind of magic. So why would she?


“I want to help,” Solly said. “I want to teach you how to use your power for the common good. Without hurting yourself.”


“You?”


Solly gave a barely perceptible nod.


“What about Rosie? The woman I heard die. Why couldn’t you have helped her?”


“I wish I could have. Trouble is there are too many Rosies and too few of us.

”
Em checked to ensure no one lingered within earshot. “You’re a Groundist,” she whispered.


The edges of Solly’s eyes crinkled with the beginnings of a smile.


“I’m saving up for a proper apprenticeship,” Em said. “I want to run my own workshop and design automata.” Her words fell flat, unconvincing.


“Thanks to mages, the likes of us can never own workshops. Even Lucien, with all his experience, has little chance of being anything other than a dogsbody. As for having more magic than we’re supposed to: where does that get us? Even if we try not to use it?”


Em nodded in reluctant agreement. The street took them past shops, tenements and food stalls, and Em was tempted to ask exactly what Groundists planned to do.


“How’s your father?” Solly asked gently. “Is he better?”


“I doubt he’ll ever be that.”

Em almost added, ‘not since Mama died’ but the memory made her throat ache.


Solly mumbled something Em did not hear and they continued in silence.


“I’m afraid this is where we must part,” Solly said, pausing at a ramshackle bakery. “If you want to pursue this further, return here any day before noon and wait. I’ll tell my scouts to alert me if they see anyone who matches your description. Don’t speak to them, though. And not even to Lucien.” She held Em’s gaze. “On second thoughts, if you took up my offer would Lucien accompany you?”


“He believes magic was created to heal not fight with. To be honest, I agree.”


“That’s all very well.” Solly’s tone suggested refusal would be disastrous. “Either continue as is and risk ending your life, or put up a fight and at least have a chance to live.”


Em closed her eyes. So much to think about and so much she didn’t know. Fates in Hell, she was tired. If her power was as strong as Solly suggested, then why did she feel so unbearably weak? Without thinking, she looked over at Solly and blurted, “Lucien and I plan to marry. Next year.

”
Solly pursed her lips. “Will he take you away to Cornica?”


“I can’t go. My da’s too sick to spend all those weeks at sea. If I desert him now, he’ll end up dead in a powerhouse.”


“And so will you, if you allow it,” Solly said. “Then he will follow.”


Em’s head spun. She wanted nothing more than to sleep.


“You need to think hard about my offer,” Solly went on. “But don’t take too long.” Abruptly, she turned away and disappeared into the throng of workers merging with the shadows.


Alone at last, Em could not move, could not make up her mind as to which road to take. Solly’s or Lucien’s? Papa’s or her own? Everything Solly said had made sense despite it sounding too dangerous and too impossibly hard. Even so, the idea of joining the Groundists promised not only hope but a glimmer of excitement. The city needed change. Not the kind that mages were aiming for, but the kind that helped workers.


Tomorrow. I’ll make up my mind tomorrow.

Link to Chapter Two

THE ETERNAL MACHINE is currently available for pre-order 14th January, 2022 worldwide including Amazon US Amazon AU Amazon UK and soon at Barnes & Noble and Kobo.

Two Months Until the Release of The Eternal Machine.

My first Advanced Reader Copy has arrived from Amazon, and finally this self-publishing gig is starting to feel real. For a few seconds I just stared at the envelope, afraid to open it in case I’d messed up the formatting or not centred the cover properly when I uploaded the PDF. I then bit the bullet and took a peek.

Phew! It looked exactly how I wanted. The cover worried me at first, because on computer monitors it looks quite dark. In real life, however, it not only shines but also shows the mood I was aiming for. And beauty too, in a clockwork dragonfly and the face of the automaton. I’m hoping she looks like she’s plotting something that human minds would not want to know. The dragonfly is also a symbol of hope. Is hope possible in all that darkness? Some of my characters believe there can be, if they fight for it.

A few hours after my book arrived, the following review came in from Aussie steampunk author Richard Harland who had kindly read the mostly corrected epub version for me.

Victoriana comes to Sydney in an alternative 19th Century, bringing dark Dickensian factories and even darker souls. Mages too, practising heart magic and skin magic, along with shapeshifters, demons and automata. Mix in a mad scientist, a touch of romance and a plot to keep you guessing—wild! What’s not to love?

Highly recommended.

~RICHARD HARLAND

Here’s a screen shot of Chapter One. I’ll be posting some entire chapters closer to the launch date, when the final proofreading is has been completed.

The Eternal Machine ebook is currently available for pre order worldwide including Amazon.com, Amazon UK Amazon Australia Barnes and Noble and soon at Kobo. Trade Paperback: 14th January, 2022.

Book News: The Eternal Machine

The trailer is here…

Thumbnail images adapted from images by: 
Jessicahyde (Adobe), frenta (Adobe) & Atelier Sommerland (Adobe)

After nearly 14 years of writing, rewriting, sending out, waiting for rejections, rewriting, sending out, waiting for more rejections, rewriting, sending out, waiting, rewriting, sending out, waiting, forever and ever…

I finally opted to self-publish.

That was over a year ago, and I realised that if this book was to end up being anything worth finding its way into the world I needed to put it through a professional editing process.

Three times: structural, line edit, and copy edit.

Thanks to these two fabulous Aussie editors Pete Kempshall and Amanda J Spedding that process was most enjoyable, especially now everything has been polished up to a standard I am super excited to promote.

Why has it taken me so long to do this? Why did I get so many rejections? Why am I self-publishing? I’ll blog about that later.

Meanwhile, my debut novel, The Eternal Machine, is a steampunk, fantasy/science fictional alternative reality set in an Australian city where magic and science are equally valid disciplines. It is now available for pre-order worldwide at Amazon, including US, Australia & UK. Currently only the ebook is being offered, but there will also be a paperback as soon as I’ve finished my layouts and the cover is ready.

Here’s the blurb

A woman with the strength to rebel.
A shapeshifter who wears the souls of the dead.
Together, they face a lethal enemy.

Em helped create it. Now she must craft its defeat.

In a city owned by industrialists, Em sells her magic to make ends meet. The extraction procedure is brutal and potentially deadly. Desperate for change, she joins an underground resistance movement to weaponize her magic and stop the abuse of workers.

Meanwhile, a mysterious voice wakes Ruk from a decades-long slumber and compels him to become human. He wants to break free but is torn between his shapeshifter instincts and the needs of the soul that sustains him.

On streets haunted by outcasts and predatory automatons, a new danger emerges – an ever-growing corruption of magic and science. Em and Ruk must put aside their differences and pursue it – each for their own reasons.

What they discover will forever change their lives.

Or end them…

Story to be Reprinted in Year’s Best Australian Fantasy and Horror 2013

years-best-fantasy-and-horror-v4-web

My story, “The Silence of Clockwork”, edited by Elizabeth Fitzgerald and originally published in the 2013 Conflux Convention Programme, has been picked up by Liz Grzyb and Talie Helene for The Year’s Best Australian Fantasy and Horror Volume 4: 2013 which will be released in late November.

This is the first time I’ve had a story in one of these and I’m especially chuffed as this story is written in the same world as my steampunk fantasy novel, Heart Fire, and is told from the point of view of one of the major characters, a centuries-old shapeshifter known as Ruk. One of the problems I had when writing this story was to not give in to overloading it with backstory, while at the same time telling enough of Ruk’s past to make his actions feel logical.

It’s certainly an honour to be part of this impressive table of contents:

Lee Battersby, “Disciple of the Torrent”, Tales of Australia: Great Southern Land
• Deborah Biancotti, “All the Lost Ones”, Exotic Gothic 5 Vol I
• Trudi Canavan, “Camp Follower”, Fearsome Journeys
• Robert G. Cook, “Glasskin”, Review of Australian Fiction Vol 5 #6
• Rowena Cory Daniells, “The Ways of the Wyrding Women”, One Small Step
• Terry Dowling, “The Sleepover”, Exotic Gothic 5 Vol II
• Thoraiya Dyer, “After Hours”, Asymmetry
• Marion Halligan, “A Castle in Toorak”, Griffith Review #42
• Dmetri Kakmi, “The Boy by the Gate”, The New Gothic
• David Kernot, “Harry’s Dead Poodle”, Cover of Darkness Magazine
• Margo Lanagan, “Black Swan Event”, Griffith Review #42
• S.G. Larner, “Poppies”, Aurealis #65
• Martin Livings, “La Mort d’un Roturer”, This is How You Die
• Kirstyn McDermott, “Caution: Contains Small Parts”, Caution: Contains Small Parts
• Claire McKenna, “The Ninety Two”, Next
• C.S. McMullen, “The Nest”, Nightmare Magazine
• Juliet Marillier, “By Bone-Light “, Prickle Moon
• David Thomas Moore, “Old Souls”, The Book of the Dead
• Faith Mudge, “The Oblivion Box”, Dreaming of Djinn
• Ryan O’Neill, “Sticks and Stones”, The Great Unknown
• Angela Rega, “Almost Beautiful”, Next
• Tansy Rayner Roberts, “The Raven and Her Victory”, Where Thy Dark Eye Glances: Queering Edgar Allan Poe
• Nicky Rowlands, “On the Wall”, Next
Carol Ryles, “The Silence of Clockwork”, Conflux 9 Convention Programme
• Angela Slatter, “Flight”, Once Upon a Time: New Fairy Tales
• Anna Tambour, “Bowfin Island”, Caledonia Dreamin’
• Kaaron Warren, “Born and Bread”, Once Upon a Time: New Fairy Tales
• Janeen Webb, “Hell is Where the Heart is”, Next

Kisses by Clockwork Cover Revealed

Kisses by clockwork

Ticonderoga Publications have released the fabulous cover for their forthcoming anthology, Kisses by Clockwork, which includes my dark, fantasy romance, “Siri and the Chaosmaker”.

I wrote the first draft for this story in Clarion West 2008 Week 2. I have given it several revisions since, with the final edit while on holiday in France as I was taking the TVG High-speed train from Paris to Avignon. Lovely scenery, nice place to write.

Kisses by Clockwork will be launched in a few weeks at Continuum in Melbourne. Stay tuned for details.

Sale to “Kisses by Clockwork”

My steampunk/fantasy/dark romance, “Siri and The Chaos-Maker, has been accepted in Ticonderoga’s upcoming anthology, Kisses by Clockwork. I wrote the first draft for this story during Clarion West 2008 and have been tinkering with it off and on ever since. It’s set in the same world as my novel, Heart Fire, but in a different country and era.

Contributing to Kisses by Clockwork’s 105,000 words are:

  • Marilag Angway, “Smuggler’s Deal”
  • Cherith Baldry, “The Venetian Cat”
  • Gio Clairval, “The Writing Cembalo”
  • M L D Curelas, “Ironclad”
  • Ray Dean, “Practically Perfect”
  • Stephanie Gunn, “Escapement”
  • Richard Harland, “The Kiss of Reba Maul”
  • Rebecca Harwell, “Love in the Time of Clockwork Horses”
  • Faith Mudge, “Descension”
  • Nicole Murphy, “The Wild Colonial Clockwork Boy”
  • Katrina Nicholson, “Lady Presto Magnifico and the Disappearing Glass Ceiling”
  • Anthony Panegyres, “The Tic-Toc Boy of Constantinople”
  • Amanda Pillar, “A Clockwork Heart”
  • Angela Rega, “The Law of Love”
  • Carol Ryles, “Siri and the Chaos-Maker”
  • DC White, “South, to Glory”

Clockwork Kisses is scheduled to be published in April.

Many thanks to my Clarion buddies and to my novel crit group, Egoboo WA (Satima Flavell, Helen Venn, Joanna Fay, Sarah Parker, Keira McKenzie and Laura E Goodin) for critting this for me.

Why I Love Steampunk

nanna2This picture isn’t a dress-up. It’s my great-grandfather with my grandmother (his 13th daughter) taken sometime in the late 1890s. I adore their outfits and especially Nanna’s boots, though I wonder how much she enjoyed wearing them at the time.

For me, steampunk isn’t just about dressing up, even though I’m currently finishing off my own costume to wear at the next opportunity. For me, steampunk is also a different way of writing about the now, drawing on the past, present and future with the benefit of hindsight, foresight and a good deal of playfulness. As Eric Rabkin states in The Fantastic in Literature,

“If we know the world to which a reader escapes, we know the world from which he comes” (Princeton University Press, 1977: p.83).

In the theoretical component of my recently completed PhD, Steampunk: Imagined Histories and Technologies of Science and Fantasy, I argued that literary steampunk is not limited simply to texts representing steam-driven machinery, but also includes fantastical texts that rely on pseudo-Victorianism often set in imaginary worlds characterized by anachronism, pseudoscience, technofantasy, magic, hybridity and imagined events inspired by science fictional history as well as real history.

In my PhD’s creative component — my novel Heart Fire — I drew on common steampunk tropes such as automatons, mad science and air ships. At the same time I remained aware that, in the past decade, steampunk has gained increasing popularity as both a literary genre and an aesthetic. As a result I sought to subvert clichés by combining them with fantasy elements that are unusual to steampunk, using them to compare and contrast science with the occult, taking the stance that in Victorian times both were considered to be valid disciplines. In this respect, I do not see my work as crossing genres, but instead as imitating the Victorian worldview.

With this in mind, I combined science and fantasy in Heart Fire, posing the questions: what if the occult were real and how would a world function if magic could either enhance or destroy science-based technology? My aim was to use old clichés in unexpected ways, showing repercussions from the misuse of technology from the perspectives of both the upper and lower classes. This allowed me to follow the steampunk tradition and at the same time aim for originality through tropes that are generally seen to fall outside of what is expected within the genre.

In other words, steampunk allowed my imagination to step outside the laws of physics that dictate purely science fictional texts. In Heart Fire, I created my own laws, part real, part myth and part dream. To make them believable, I explored their repercussions from many perspectives, reinforcing them with realism, detail and the fantasy technique of internal consistency within the text.

This not only added up to a whole lot of fun, but also enabled me to create an imaginary world in which to set new books as well as a handful of short stories.

Short Story Competition Win

My short story, “The Silence of Clockwork”, picked up third prize in the Conflux 9 short story competition. I’m especially pleased about this as the story works as a prequel to my unfinished novel, Heart Fire, by showing some of the history of its male protagonist, Ruk, a bold, daring shapeshifting spirit who plots to escape the human word, but his shifterness prevents him.

Conflux 9 was held in Canberra in late April. It’s theme was steampunk (angels, junk and steam), an added bonus.

I wrote and edited the “Silence of Clockwork” at the same time as I was madly finishing my PhD, squeezing it in before bed over 5 days — the quickest 3000 word story, I’ve completed ever! It was subsequently published in the Conflux 9 Convention Programme book (page 37).

Many thanks to the Conflux 9 judges, Joanne Anderton, Jenny Blackford, Dirk Flinthart,  to Elizabeth Fitzgerald for her fine editing, and also to the convention organizers for putting on such a great convention.

My Next Big Thing

June 2013 Note: Since writing this post, HEART FIRE has undergone yet another rewrite, this time narrowing the focus. I’m happy with the result, and although the novel keeps its original premise, much of the plot has completely changed. What better way to learn to write a novel, than to completely rewrite it five times? Now I’m moving on to a new work. But I also have plans for a sequel for this one…

*

Thank you to CSFGer Ross C Hamilton for tagging me in the Next Big Thing. The game here is that writers answer a string of questions about their work, describing what will be their Next Big Thing and then tag five other writers. Those writers answer the same questions and tag other writers. So here goes:

1: What is the working title of your next book?

Heart Fire is my first completed novel. It’s self-contained and also Part One of a trilogy. Draft 1 of Book 2 is in progress, but has no title as yet. Usually I don’t get titles until the work is finished. However, I’m yet to think up a name for the trilogy.

2: Where did the idea come from for the book?

This book is more like an amalgamation of ideas. Some I dreamed, some I made up out of songs on my iPod during my daily walk. Some were inspired by the works of Dickens and Zola along with every fantasy, science fiction and steampunk novel I’ve read to date.

3: What genre does the book fall under?

First and foremost, Heart Fire is fantasy. But it’s also steampunk with a touch of horror and romance. Some of the themes are science fictional, made strange in a fantasy setting but I’m not calling it science fantasy because it’s set in an imaginary world, loosely based on Victorian London. Back then, both science and the occult were considered to be valid disciplines, so Heart Fire asks, “What if magic were real, and how would it affect technological progress?”

4: What actors would you choose to play the parts of your characters in a movie rendition?

Now this is a fun excuse to fantasize about my favourite actors, but most of them would have to be younger versions of who they are today.

For Ju, the rebellious commoner and novel’s female protagonist, I’d have Uma Thurman; while Solly Flood, the sensible yet enigmatic resistance agent, would have to be Jenna-Louise Coleman aka Clara Oswin Oswald, except without the corset and bustle because Solly definitely does not have time for those.

Johnny Depp is going to be in every book I write, so for Heart Fire, he’d be the novel’s male protagonist, Ruk, an outcast shapeshifter. For Arvin, the morally ambiguous dandy, I’m thinking Hugh Grant.

For the really really bad guys, Factory owner Sir Mathias Grindle would be Alan Rickman, and although I didn’t give Grindle such an awesome voice as Alan’s, he could still use it if he agreed to take the part. The ambitious and plotting Christina Grindle could be Sigourney Weaver, because Sigourney conveys such a strong presence and Christina would not settle for less.

5: What is the one-sentence synopsis of your book?

Answering this question and getting it right is harder than writing the entire novel. But for my 999th try: Heart Fire is a foray in steampunk’s darker side, where a woman and a shapeshifter must put aside their prejudices and fight for the lives and souls of an entire city.

6: Will your book be self-published or represented by an agency?

Ooooh, I have my fingers and toes crossed that it’ll be represented by an agency. The novel is in the marketplace now, but I have backup plans B, C, D and all the way to Z if needed.

7: How long did it take to write the first draft of your manuscript?

The first draft was written in about four months, but it was awful, so I ditched it and started again from scratch.

The second draft had the same characters and same story told in different words but a completely different beginning and middle. It felt like writing a new first draft all over, but was only marginally better, and probably more of an exercise in playing with point of view and learning how to plot. That took about nine months. In the end I had one chapter that was very cool, so I kept that and ditched the rest.

Draft three grew out of that single saved chapter, and felt like a new first draft yet again. But this time I knew my world and its characters inside out. Nine months later, I had a very good usable draft that needed only minor polishing to bring up to standard.

I don’t plan on writing all my novels that way. Heart Fire was basically my first long distance writer’s journey. I discovered a lot about what not to do with the art of plotting.

8: What other books would you compare this story to within your genre?

I’m hoping no other steampunk books are like mine 🙂

It’s told from the point of view of the oppressed, and in some cases upper class people are as badly exploited as the underclass. Although the male-female character ratio is even, bustles are for the pampered, only the enemy wears corsets and airships are not what they seem.

Heart Fire was the creative component of my PhD. My thesis explored writing steampunk from the point of view of a fantasy writer. I used three steampunk novels as examples of texts that inspired me and these were: James P Blaylock’s Homunculus, China Miéville’s Perdido Street Station, and Ekaterina Sedia’s The Alchemy of Stone. I adore all three of these books and learned a lot about writing steampunk and fantasy from pulling them apart. But Heart Fire isn’t at all like any of them because I realized that if I wanted to publish this novel, I couldn’t allow it to be derivative. Therefore, I took old steampunk tropes and combined them with a few unusual fantasy tropes with the aim of creating a unique contrast.

9:  Who or what inspired you to write this book?

My mum the bikerI’ve always wanted to write a novel from the point of view of oppressed people and outcasts. Steampunk is a great way of doing that.

Heart Fire was written for my mother, who is a real cockney Londoner. She was taken out of school at fourteen to work in factories. A few years later, World War II came along and she joined the Land Army to face different battles.

This picture of my mum was taken before she had me. And look! She’s wearing goggles!

10: What else about the book might pique the reader’s interest?

Heart Fire is a weird and subversive adventure. I aimed for complex characters with well-defined goals and motives, plus internal consistency in the world building. My supervisor, who recently finished reading the final draft, said he couldn’t predict what would happen at several key points, but each time I surprised him, the surprise seemed logical and plausible. Similarly, he thought the SFX were good – very cinematic!

Plus there’s romance and a sprinkling of anti-romance.

Basically I had a hell of a lot of fun writing it.

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Now to tag. Your turn: Joanna Fay, Anthony Panegyres, Venetia Green, JB Thomas. If anyone else wants to be tagged, just write in the comments and I’ll tag you. There’s room for one more.

And thank you again, Ross C Hamilton for tagging me.